Posts tagged ‘icon’

May 22, 2012

Jeurgen Teller. Hero #1.

juergen teller, fashion photographer, photography

 

I am guilty of a serious omission. I have completely forgotten to tell the internet how much I love Juergen Teller. And I love him. Loads. Now is probably a good time to bring him up, as he has a new book, Pictures and Words, out May 30th.

juergen teller, fashion photographer, photography

From his Go Sees series to his iconic Marc Jacobs campaigns, everything Juergen touches turns to bleached out gold. He is a man who has spawned a thousand imitators, myself included. His vision is honest and raw, yet grandiose and decadent. The way he lights his shots is instantly recognisable – the slight overexposure, bleach out effect. Actually, I always think he and Terry Richardson have a similar way with lighting, but Juergen is the understated French sexy to Terry’s full on LA dripping sex. With Juergen it’s more vulnerable, naive, honest. There’s an awkwardness, an oddity. It’s the Marc Jacobs to Terry, Manolo et al’s Gucci. No wonder the two make such an awesome pairing.

 

juergen teller, fashion photographer, photography

 

Also, let’s talk bout how successful Teller is as a commercial photographer. He has managed to merge his distinctive style with that of mega brands to create campaigns that become more than just ads, they convey a complete aesthetic, a story, a fantasy. And let’s be honest, who else could put Victoria Beckham in a bag. I like how he takes famous people and creates documentary style fashion photos. Like Helmut Newton’s philosophy of making fashion imagery look like anything but a fashion image, Juergen’s work often obscures the clothes with the personality, or the colour, or the composition of the shot. Almost. That’s his skill. His shots often look like snapshots taken at various stages of decadent parties, evoking something more than just a beautiful dress on a beautiful girl. Which is what all the best pictures look like.

 

juergen teller, fashion photographer, photography
juergen teller, fashion photographer, photography

juergen teller, fashion photographer, photography

juergen teller, fashion photographer, photography

juergen teller, fashion photographer, photography

 

juergen teller, fashion photographer, photography

juergen teller, fashion photographer, photography

juergen teller, fashion photographer, photography

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April 29, 2012

Meet your New God: Helmut Newton

*If you like unbiased reporting, turn away now. I am about to go mega-enthusiastic on all y’all*

Helmut Newton, Grand Palais, Fashion Photography

Helmut Newton

Last weekend, I went to Paris, and saw the Helmut Newton retrospective in the Grand Palais. It is a stunning building, fitting for such an incredible show. A good exhibition not only makes you oooh and aaaaah at the pretty pictures, it challenges how you think and this one left my head spinning. I got that feeling of awe you get when you read an amazing book and it messes with how you see things. Hyperbole? Only probably. Helmut’s work is at once elegant, refined, honest, brash, sexy and delicate. He elicits all kinds of emotions in his imagery – sometimes they are playful, sometimes they are full of humour, other times they are just the epitomy of chic and dripping with beauty. He didn’t retouch, instead he said “he photographed what he saw”.  He never took two photos when he could take one, which is a lesson all of us in the digital age could learn.

Helmut Newton, Grand Palais, Fashion Photography

Helmut Newton

Oh, did I mention Helmut Newton was a prolific photographer of nudes? Yea, he’s really famous for taking pictures of naked ladies. However, one of the things that struck me throughout the exhibition was how normal the nudes seemed, like flesh was just another outfit. They were purposeful, not purely titillating. Provocative, erotic, certainly, but not skeezy. Each image was an investigation, a comment. The male gaze is omnipresent in most art, and it is really hard to discuss the female form without assuming overt sexualisation, and certainly in his work it is sexualised. But I don’t know, it’s almost as if the sexualisation is a consequence rather than the motive. There is something empowering about the images. They are images of female nudity that don’t make other females isolated. He photographed all kinds of women, from supermodels to Californian policewomen and lots of shapes and sizes in between. They are all strong poses, confrontational almost. Sometimes fashion poses just with no clothes on. It seems that for Newton, nude and fashion photography are interchangeable and the two inform each other.

Helmut Newton, Grand Palais, Fashion Photography, nude

Helmut Newton

He clearly loved women, and not in a lairy, gross way, but genuinely loved female beauty and the female form. Is it weird that I’m talking about naked lady photos? Possibly, but this exhibition provoked me to think about a subject I would normally totally shy away from. While I accept that fashion boob is everywhere – just have a look at Tumblr – I never really consider it, or the impact it can have on self image, which is a not particularly feminist thing to do. I think what Newton’s work did was encourage me to be more comfortable with myself, because the images were not vulnerable, nor did they seem like they were to purely to entertain men – they were sexy, but in an empowered way. It was all very French. They seem a lot more comfortable with themselves than us. And really really chic. I reckon the two must go together somehow.

Helmut Newton, Grand Palais, Fashion Photography, polaroids

Helmut Newton’s impressive Polaroids

Enough about birds in the buff though, let’s talk about his fashion imagery. It continues to influence what we do today. Helmut Newton was a master of his craft. The exhibition incorporated a documentary by his wife June - Helmut by June (2007) . It was so inspiring to see him work. As with all masters, he was a complete perfectionist. But he also had a very natural and beautiful way of shooting. He had a wonderful awareness of what he was doing at all times. One of the quotes on the walls of the Grand Palais, taken from Helmut by June was “a good fashion photograph must resemble anything but a fashion photograph. A portrait, a souvenir, a paparazzi photograph”. This is an inspiring approach to FASHUN. Instead of making facsimile’s of fashion imagery, create a new story.

Helmut Newton, Grand Palais, Fashion Photography

Helmut Newton

Helmut Newton, Grand Palais, Fashion Photography

Helmut Newton

So, go to Paris and see this exhibition. It is so beautiful it will make you want to cry and will fill you full of joy so much so you will feel it bursting in your throat and then you will come out of it and be standing on the steps of the Grand Palais and you might actually burst because it is one of the most beautiful places ever.

*End of gushing*

Helmut Newton, Grand Palais, Fashion Photography

Helmut Newton

This image basically describes what happened to us the entire time we were in Paris – never wear colour there. Ever. Even a bit.

December 29, 2010

That Guy’s colourful

Full Disclosure: I am doing a series on favourite photographers. I kinda forgot to mention that when I started, but I am, and here’s another one.

I was going to tell you a long story about how I’m obsessed with colour and how to get certain colours in photography through film and shutter speed and lighting and blah blah blah, but it’s not that interesting. What IS interesting is when people get it right. Guy Bourdin gets it right all the time. He’s good like that. No, he’s unreal. Guy’s work is pretty iconic. He was born in 1928 and his work was first published in Vogue in 1955. Not that you would really be able to tell by looking at his photographs. His work remains fresh and relevant today. And SEXY. Very Very Very sexy. But for me, apart from the sex and the composition and the other amazing elements to his work (and it’s all pretty much perfect), my favourite part is the colour.

December 21, 2010

My Knight in Shining Armour….

I really wanted to do a post on Nick Knight and his general awesomeness for a while but I don’t know where to start. He is constantly pushing boundaries in fashion imagery, always embracing new technologies and processes. His award winning website, showstudio.com features a whole bunch of amazing films and images and visual treats. I love the way he embraces digital manipulation in the creation of fashion imagery, in a way that adds to the image rather than just for the sake of it. I love that his work can be really weird. I love the movement in his images. And if it’s not enough that I love him, he was asked to do the WHOLE of the i-D’s recent 30th birthday issue. As in, he took every image in the entire bumper magazine. And they are spectacular images. Here are a bunch of other awesome Nick Knight images, including one of my favourite campaigns of his (the Dior kungfu crazy one) and one of my favourite editorials (British Vogue April 03 – it’s actually inspired me and my aesthetic more than I sometime realise!). Enjoy!

American Vogue, September 2001

Vogue April 2003

Vogue April 2003

Vogue March 2007

 

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